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A plywood roof protects his hoarded belongings from seeping water. There is an old mattress on the floor, and cookware, blankets and electronics stacked on makeshift shelves. His real story has been buried long ago under thick layers of improvised memories that grew more detailed by the years, the man slowly becoming a collage of himself. “People don’t want to speak to me when they come here. The smell down here is the one of brake dust and mold.
He has been living here for a while now, in a small space between two support beams that can only be reached with a ladder. There’s no hassle compared to the streets, you know what I’m saying? “You’re the first person to visit this week,” he says. I can get why, it’s a spooky place when you don’t know it. I hear him talk to himself as I go away from the entrance and from the white sky.
In 2000, director Marc Singer released his acclaimed documentary “Dark Days,” filming the same people followed by Voeten and Toth in their respective books. They all showed simple human beings who were in no way comparable to the legends that had been told, and they all included a man named Bernard Isaac.
“They can’t help it, it’s so deeply ingrained in their lives, it’s like they want to go back to the only thing they know,” she explained, noting that hurt and loneliness often became the steadiest part of a homeless person’s existence after hitting bottom and going further under. ” Isaac said in a video interview, one of his last ones, a year before his death in 2014. This was the most difficult thing I’ve ever done in my life, leaving my baby. Once her daughter was in the hands of her sister, Jessica was sent to the Freedom House where she stayed for seven months until Aguila notified her of her imminent relocation. I love you so much.” Jessica then moved to her current place, closer to the Mc Donald’s restaurant where she works. Here I can have my dog,” Jessica says, petting a small mutt snuggled on her lap. Brooklyn’s voice echoes in the room as she starts singing Michael Jackson’s “Billie Jean.” I accompany her with a beatbox rhythm, hands cupped around my mouth. ” she says enthusiastically, snapping her fingers along.
I was unable to reach Toth for comment, but when Adams talked to her, the journalist said she couldn’t remember how to access certain places described in her essay — possibly not to disclose the whereabouts of trespassing squatters.
Still, while the essay might have been inflated or romanticized, it was nonetheless true that the homeless begging in the streets of New York were merely the tip of the iceberg. Santa Claus, the Boogeyman, the Mole People, it’s all the same. It’s human nature.” “Just cause you can’t see don’t mean ain’t nothing there,” begins Anthony Horton’s 2008 graphic novel “Pitch Black,” relating the author’s own struggles as a homeless man.
Every noise is threatening in the tunnel, and I find myself constantly looking over my shoulder, ready to face something too awful to name. Now fifty-four, she has been living here since 1982, when she discovered the place by following feral cats. She has perfected her story for journalists along the years.
Like Bernard Isaac, she appeared in various films and documentaries. Everything she relates is recited like a school lesson. The death of her parents and the loss of her family house. If you accept it, if you stop fighting, you’re done, okay?
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Adams pointed out unverifiable or incorrect facts in Toth’s work, and her skepticism peaked during her interview of Cindy Fletcher, a former tunnel dweller who challenged important points of the narration.