Dating definition yahoo

One remedy to a liquidity trap is expanding the money supply via quantitative easing or other techniques in which money is effectively printed to purchase assets, thereby creating inflationary expectations that cause savers to begin spending again.Government stimulus spending and mercantilist policies to stimulate exports and reduce imports are other techniques to stimulate demand.The term balance sheet derives from an accounting identity that holds that assets must always equal the sum of liabilities plus equity.If asset prices fall below the value of the debt incurred to purchase them, then the equity must be negative, meaning the consumer or corporation is insolvent.

This may be triggered by various events, such as a financial crisis, an external trade shock, an adverse supply shock or the bursting of an economic bubble.In theory, near-zero interest rates should encourage firms and consumers to borrow and spend.However, if too many individuals or corporations focus on saving or paying down debt rather than spending, lower interest rates have less effect on investment and consumption behavior; the lower interest rates are like "pushing on a string." Economist Paul Krugman described the U. 2009 recession and Japan's lost decade as liquidity traps.Despite zero interest rates and expansion of the money supply to encourage borrowing, Japanese corporations in aggregate opted to pay down their debts from their own business earnings rather than borrow to invest as firms typically do. In a balance sheet recession, GDP declines by the amount of debt repayment and un-borrowed individual savings, leaving government stimulus spending as the primary remedy.Corporate investment, a key demand component of GDP, fell enormously (22% of GDP) between 1990 and its peak decline in 2003. Krugman discussed the balance sheet recession concept during 2010, agreeing with Koo's situation assessment and view that sustained deficit spending when faced with a balance sheet recession would be appropriate.

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Japan’s 1993–94 recession was U-shaped and its 8-out-of-9 quarters of contraction in 1997–99 can be described as L-shaped.

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  3. The album's first single "Boyz" reached the Top 10 in Canada and on the Billboard Hot Dance Singles Sales in 2007, becoming her first Top 10 charting single. Her fourth studio album, Matangi, was released in 2013, followed by AIM in 2016. Her later work marked an evolution in her sound with rare instruments, electronics and unusual sound samples. She posted many of her songs and videos from 2002 onwards on platforms such as My Space. Time named her one of the world's 100 most influential people in 2009. When Maya was six months old, her family moved to Jaffna, the cultural, political, and economic capital of the predominantly Tamil northern Sri Lanka, where her brother Sugu was born. A.'s American distribution label Interscope, compares M. Sasha Frere-Jones, critic of The New Yorker praised the self-made "unpretentious, stuck together with Scotch tape" style that M. Her considerable influence on American hip hop music as an international artist is described by Adam Bradley and Andrew Du Bois in The Anthology of Rap as making her an "unlikely hip hop" celebrity, given that the genre was one of several influences behind M. A.'s "eccentric and energizing" music and that the musician's unclassifiable sound was one example of how hip hop was changing as it came into contact with other cultures. Wallenfeldt writes in The Black experience in America : from civil rights to the present that no single artist may have personified hip hop in the 21st century better than M. A., in her "politically radical lyrics drawing from widely diverse sources around the world". Missing In Action (or Acton, as she sometimes calls herself) has always been several miles ahead of the pack." The twisting of western modalities in her music style using multilingual, multiethnic soundscapes to make electroclash-pop albums is noted by Derek Beres in Global beat fusion: the history of the future of music (2005) to defy world music categorisation. is perhaps the preeminent global musical artist of the 2000s, a truly kick-ass singer and New York-Londony fashion icon, not to mention a vocal supporter of Sri Lanka's embattled Tamil minority, of which she's a member." M. A.'s stage performances are described as "highly energetic" and multimedia showcases, often with scenes of what Rolling Stone critic Rob Sheffield describes as "jovial chaos, with dancers and toasters and random characters roaming the stage," bringing various crowds with interests in art, music and fashion. "works hard to manifest the chaos of her music in an actual environment, and, more than that, to actively create discomfort, energy, and anger through sensory overload." USA Today included her on its list of the 100 Most Interesting People of 2007 and she was named one of Time Out 's 40th Birthday London Heroes in 2008. Her albums' social commentary and storytelling have incited debate on the "invigoratingly complex" politics of the issues she highlighted in the album, breaking taboos while the West was engaged in the 2003 Iraq War in the Middle East during the Presidency of George W. Government visits to her official website following her debut album's release in 2005, and a US refusal to grant M. The album's artwork was inspired by African art, "from dictator fashion to old stickers on the back of cars," which like her clothing range, she hoped would capture "a 3-D sense, the shapes, the prints, the sound, film, technology, politics, economics" of a certain time. forces a conversation about how the majority live, closing the distance "between 'here' and everywhere else". subverted the "abstract, organized, refined" distilling of violence in Western popular music and imagination and made her work represent much of the developing world's decades-long experiences of "arbitrary, unannounced, and spectacular" slaughter, deeming her work an "assault" with realism. was "a veritable vortex of discourse, around most likely irresolvable questions concerning authenticity, post-colonialism, and dilettantism". A.'s record imagery, lyrical booklets, homepages and videos supported the "image of provocation yet also avoidance of, or inability to use consistent images and messages." Instead of catering to stereotypes, he felt that M. People reckon that I need a political degree in order to go, 'My school got bombed and I remember it cos I was 10-years-old'. The EMP Museum's 2008 Pop Conference featured paper submissions and discussions on M. Or that only politicians are allowed to talk about politics, and that's why we're fucked, because the cycle is constantly kept within that fucking framework.

  4. The smoke of my own breath, Echoes, ripples, buzz'd whispers, love-root, silk-thread, crotch and vine, My respiration and inspiration, the beating of my heart, the passing of blood and air through my lungs, The sniff of green leaves and dry leaves, and of the shore and dark-color'd sea-rocks, and of hay in the barn, The sound of the belch'd words of my voice loos'd to the eddies of the wind, A few light kisses, a few embraces, a reaching around of arms, The play of shine and shade on the trees as the supple boughs wag, The delight alone or in the rush of the streets, or along the fields and hill-sides, The feeling of health, the full-noon trill, the song of me rising from bed and meeting the sun. 3 I have heard what the talkers were talking, the talk of the beginning and the end, But I do not talk of the beginning or the end.