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Now, years after breaking up, he returns to the small island named Biyang-do, wondering if his ex-girlfriend will remember their appointment.
(It seems appropriate that Git's basic setup recalls Richard Linklater's Before Sunset, another film that stands out for the beauty and simplicity of its construction) On Biyang-do, the director -- named Jang Hyun-seong, the same as the actor who portrays him -- is overpowered with both memories of the past and the beauty of the island.
Lee So-yeon makes her slightly thin character memorable through considerable screen presence, while Jang Hyun-seong of independent films Nabi and Rewind gives the performance of his career.
Whatever we feel about the character he portrays, Jang's performance is so real and natural that we can't help but be drawn to him.
This may have been what happened with Git by Song Il-gon, the director of Flower Island (2001), Spider Forest (2004), and various award-winning short films including The Picnic (1999).
(Darcy Paquet) There was a lot going on in the world of Korean film at the beginning of 2005.
In a year that has been lacking in unexpected discoveries, Git is an exciting find.
At its rousing premiere at the Green Film Festival in Seoul, a prominent Korean film critic told me it may be the best romance Korea has ever produced.
One is that such a low-budget film looks so good visually.
In Flower Island, Song showed an unusual talent for the aesthetics of digital cinema, but here he takes it one step further.
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Comprising works by Jang Jin (Someone Special), Lee Young-jae (Harmonium in My Memory) and Song, 1.3.6 was intended to explore environmental themes and was slotted to open the first Green Film Festival in Seoul in late October.